The calendar turns, and the shadow falls again. September 11 is not merely a date; it is a scar on the collective consciousness, a point in time where the narrative of a nation fractured. In the aftermath, the human mind scrambles for order amidst chaos, seeking a container for grief that is too vast to hold.
We often find ourselves pulled into one of two distinct currents. There is the visceral, burning need to assign blame—to look at security failures, religious extremism, or geopolitical missteps and let anger become the dominant fuel. It is a loud, jagged energy. It demands retribution. It feels like strength, even when it is only noise.
Then there is the counter-current. The retreat into abstraction. The urge to step back, throw up one’s hands, and insist that if we simply loved more or understood better, the ashes would not have fallen. It is a seductive pacifism, a belief that soft words can bandage iron wounds.
The Shallow Currents
Evan Mantyk’s sonnet, Two Streams, dissects this duality with surgical precision. He observes these two reacting forces—the urge to condemn and the urge to withdraw—and finds them both wanting. They are intellectual responses to a visceral tragedy, attempts to rationalize the irrational.
When placed beside the sheer physical reality of the event, arguments fade. The debate over cause and effect feels trivial when measured against the loss of life. The poet notes the inadequacy of these reactions compared to the stark reality of the ground zero:
“How shallow seem these two streams of blood
That trail from where the twin towers stood,”
Society of Classical Poets Banner
The Voice from the Dust
The poem suggests that the true weight of the tragedy does not lie in our political or philosophical posturing. It lies in the “divine voices” that rise from the destruction. There is a sacredness in the sacrifice of that day that demands more than just anger or platitudes. It pushes against the living with the force of a command.
This is the shift from thinking to being. The imagery of the “burning bush” implies that the site of destruction is holy ground—not because of the terror inflicted there, but because of the heroism that rose to meet it. The firefighters, the passengers, the ordinary people who made extraordinary choices. Their blood created a current far more powerful than any opinion column or televised debate.
The Humble Resolve
Ultimately, the sonnet moves toward a resolution of service. It abandons the need to be right in favor of the need to be useful. To “ride down either one”—whether the path of justice or the path of healing—requires a shedding of ego.
The proper response to history is not always to analyze it. Sometimes, it is simply to stand ready. To prepare oneself to act when the next call comes, to possess a readiness that transcends the bickering of the two streams. We honor the dead not by arguing over why they died, but by living with the same humble courage they displayed in their final moments.
Society of Classical Poets Banner
