In an era where literary journals are often flooded with the fragmented lines of free verse, Evan Mantyk stands as a custodian of structure. As the President of the Society of Classical Poets, he does not merely observe the history of poetry; he actively labors to resurrect its heartbeat—rhyme, meter, and the disciplined beauty of form.
Evan Mantyk speaking at the 2019 Society of Classical Poets Symposium
A Sanctuary for Structure
Mantyk founded the Society of Classical Poets in July 2012, establishing a stronghold in New York for writers who felt alienated by modernism’s rejection of tradition. Under his editorship, the Society’s Journal and website have become gathering grounds for those who believe that poetry should sing rather than merely speak.
His philosophy suggests that the constraints of a sonnet or the rhythm of a villanelle are not chains, but rather the very scaffolding that allows human sentiment to soar. By championing “Goodness, Truth, and Beauty,” Mantyk steers the conversation away from the subjective chaos of the avant-garde toward a shared, intelligible aesthetic.
The Teacher in the Hudson Valley
Beyond the editorial desk, Mantyk is grounded in the practical realities of education. He lives in the Hudson Valley region of New York, a landscape steep with American literary history. Here, amidst the quiet of the valley, he teaches literature and history.
This dual role—educator and editor—is crucial. His work is not born in an ivory tower but in the classroom, where the transmission of culture occurs daily. He lives with his wife and two children, a personal anchoring that often reflects in the moral clarity of the works he promotes.
Bridging East and West
Mantyk’s literary gaze is notably expansive, refusing to be confined to a single hemisphere. His bibliography reveals a fascination with the universal hero’s journey, stretching from the halls of Elsinore to the mountains of ancient China.
His works demonstrate a unique cross-cultural synthesis:
Heroes of the East and West: A collection of poetry that places distinct cultural traditions in conversation.
Prince Hamlet and the Monkey King: A juxtaposition of the brooding Danish prince and the mischievous eastern deity.
Treasured Tales of China: Retellings that preserve the moral fiber of eastern folklore for a western audience.
He has also penned How to Write Classical Poetry, a guide that serves as a blueprint for the next generation of bards, ensuring that the techniques of the past are not lost to the silence of archives.
A Continuing Legacy
Formerly a journalist and editor for The Epoch Times, Mantyk retains a sharp eye for the world as it is, even while writing about the world as it should be. His research into educational systems further informs his advocacy for a curriculum that values heritage over novelty.
Evan Mantyk remains a pivotal figure for those who seek the comfort of a steady rhythm in a discordant world. Through his teaching, his writing, and his leadership, he asserts that the old ways—the iambic pulse, the rhyme that clicks shut like a well-made box—are not dead. They were simply waiting for someone to pick them up again.
Evan Mantyk speaking at the 2019 Society of Classical Poets Symposium
