The digital noise of the modern world often drowns out the subtle, rhythmic cadence of formal verse, yet the Society of Classical Poets continues to carve out a sanctuary for structure and rhyme. Located in Mount Hope, New York, this nonprofit organization does not merely publish lines; it sustains the “great conversation” of Western Civilization. With the release of Journal VIII, that dialogue finds a tangible vessel, capturing the poetic output from February 2019 through January 2020.
This collection represents a steadfast dedication to the triad of Beauty, Goodness, and Truth. In an era where deconstruction is often favored over composition, the Society gathers voices that respect meter and meaning, offering a counter-cultural embrace of tradition.
Journal VIII cover featuring classical art elements
The Curatorial Vision
Constructing an anthology that balances contemporary relevance with classical discipline requires a distinct editorial eye. The selection process for this volume was guided by a team committed to excellence in craft: Evan Mantyk, Connie Phillips, C.B. Anderson, Dusty Grein, and Daniel Magdalen.
Their curation ensures that the pages do not feel like a museum of dead forms, but rather a living stage where the sonnet, the villanelle, and the ode are used to dissect modern realities. The visual experience of the journal is equally curated, featuring the artwork of Eric Armusik (“Canto 4: Dante and Virgil visit the Great Poets of Antiquity in Limbo”) and Richard Samuel, whose “Portraits in the Characters of the Muses in the Temple of Apollo” graces the publication.
Voices of the Year
The strength of Journal VIII lies in its diverse roster of poets who navigate the strictures of form with individual flair. The collection highlights a specific group of “Most Featured Poets,” whose work appears as the structural pillars of the volume.
Readers will encounter the prolific James A. Tweedie and the sharp wit of Susan Jarvis Bryant. The volume weaves together the distinct voices of Adam Sedia, Joe Tessitore, Leo Zoutewelle, and Theresa Rodriguez. The lineup continues with Peter Hartley, C.B. Anderson, Randal A. Burd, Jr., and T.M. Moore, showcasing a range of thematic concerns from the spiritual to the observational. The roster is rounded out by the contributions of Martin Rizley, David Watt, Joseph Charles MacKenzie, Gleb Zavlanov, Michael Curtis, Anna J. Arredondo, Joseph S. Salemi, Martin Hill Ortiz, Sally Cook, Daniel Galef, and Ron L. Hodges.
A Chorus of Contributors
Beyond the headliners, the journal serves as a broad platform for poets and translators from around the globe. This ensemble cast provides the texture of the anthology, proving that the classical impulse is widespread.
The volume includes works by Margaret Coats, Jared Carter, and James Sale, alongside the translations and verses of Bauer, Charlie Behrens, David Paul Bridges, and Peter Bryant. The list is extensive, featuring contributors such as Mike Canerdy, Tony L. Carlson, Rob Crisell, Jan Darling, and Brian Douthit.
From the lyrical softness of Annabelle Fuller to the structured arguments of Raymond Gallucci, the anthology spans a vast emotional spectrum. Other notable contributors include William Glyn-Jones, J. David Graham, Luke Hahn, and Edward C. “Ted” Hayes. The conversation extends through Erin Jeon, Philip Keefe, Conor Kelly, and M.P. Lauretta, highlighting both emerging and established talent like Daniel R. Leach, Anna Leader, and Benjamin Lukey.
The sheer volume of contributors—ranging from Michael Maibach, Lynn Martin, and Camilla Marx to Nathaniel McKee and Tonya McQuade—demonstrates the vibrancy of the form. Readers will find the works of Sancia Milton, Thomas Newton, Jeff Nicholson, James B. Nicola, and Terry L. Norton standing alongside Paul Oratofsky, Sheri-Ann O’Shea, and James Pack.
This gathering of minds concludes with voices such as Rupert Palmer, Jared Pearman, Roy E. Peterson, Landon Porter, N. Ram, Alexander King Ream, Damian Robin, Ramón Rodriguez, Satyananda Sarangi, Mark Anthony Signorelli, Beverly Stock, Mark F. Stone, Alan Sugar, Rohini Sunderam, Clinton Van Inman, Peter Venable, Angel L. Villanueva, Rod Walford, David Whippman, Ian Williams, Caleb Winebrenner, Bruce Dale Wise, Julian D. Woodruff, E.V. “Beth” Wyler, Leo Yankevich, Theresa Zappe, and Michael Zhao.
Together, these names form a phalanx against the erosion of literary standards, offering a volume that is as much a statement of intent as it is a collection of poetry.
Journal VIII cover featuring classical art elements
