In the sprawling urban tapestry of Mexico City, the rhythm of life is often dictated by the clink of glass and the aroma of roasted beans. Here, the day begins with the sharp jolt of coffee and drifts into the amber warmth of tequila, whiskey, or beer as the sun descends. For Pedro Villalon, this was the gustatory soundtrack of his youth—a world vibrant with spirits but entirely devoid of the silent, meditative complexity of tea.
“Mine was a non-tea background,” Villalon admits, reflecting on a life that once revolved around chemical engineering and the high-gloss world of advertising. Yet, destiny often moves in quiet currents. In 2007, his corporate path led him to Guangzhou to manage a shampoo account, a mundane assignment that would inadvertently open the gates to a sensory awakening. It was not a boardroom, but a mist-laden mountain, that would dismantle the engineer and reconstruct him as a hunter of rare essences.
Pedro Villalon standing amidst a tea plantation with a contemplative expression
The Axe and the Epiphany
The metamorphosis occurred halfway up a mountain near Ban Bo Lao Zhai, in the Nannuo Shan region of Yunnan Province. While hiking, Villalon encountered a figure that seemed to blur the lines between his past and present. A man approached him carrying an axe—a sight that might instill fear in the uninitiated, yet Villalon felt a strange resonance.
The man, Yang Si, belonged to the Hani ethnic minority. His features—darker skin and distinct bone structure—bore a striking resemblance to the people of Villalon’s own Mexican homeland. “He asked me if I had eaten,” Villalon recalls. The simplicity of the question bridged the cultural chasm instantly. What began as a lunch invitation evolved into a three-day immersion into a way of life that felt like a memory of home.
In the haze of the morning mist, amidst a dwelling lacking running water or chimneys, life revolved around the hearth. They cooked over open fires and spoke a fragmented language of Mandarin and gesture. It was here that Villalon discovered Yang Si was a tea maker, guarding a stash of 20 kilograms of green pu’er.
“They were big sacks, really beautiful leaves,” Villalon describes. This was not the dust of teabags; it was a living entity, rich and untamed. In an act of impulsive reverence, he bought it all. The ad executive vanished; the tea hunter was born.
Lush tea mountains and the Chinese Pavilion in southwest China
The Architecture of Taste
For the past decade, through his Vancouver-based sanctuary, O5 Rare Tea Bar, Villalon has approached tea not merely as a beverage, but as a map of the world. He speaks of the “terroir of tea”—a concept usually reserved for wine, encompassing the soil, the microclimate, and the ecology. But Villalon expands this definition to include the human spirit infused into the leaf.
His journeys have taken him to the remote Qiao Ban village in Zhejiang, near the Yellow Mountain. Inaccessible by car, the village demands a pilgrimage on foot. Here, the terroir is defined by the vitality of its elders. Villalon speaks with awe of his friend Zhan Zhifang’s father-in-law, a man in his 80s who navigates the steep ascents with the agility of youth.
“The reward for climbing up is the tea—a delicious brew with notes of cacao and oak,” Villalon notes. In these high altitudes, labels like ‘organic’ are redundant; the purity of the air and the soil renders the chemical world obsolete.
An ancient village and tea farm nestled high near Yellow Mountain
Echoes of the Tang Dynasty
In the lakeside county of ChangXing, the tea hunter’s path intersected with imperial history. This region is hallowed ground for tea devotees, the former residence of Lu Yu, the sage who penned The Classic of Tea in the 8th century. Here, Villalon met Lily Wenhua Zhang, a custodian of tradition who owns two mountains of protected forest and a museum dedicated to the ancient master.
Zhang’s craft is an act of resurrection. She produces Zisun (purple bamboo shoot tea), a cultivar once researched and revered by Lu Yu himself. “She can craft tea that almost nobody makes in China,” Villalon explains. The leaves are processed into the shape of coins, reviving a Tang Dynasty aesthetic. The flavor profile—notes of honey and sugar peas—speaks of a sophistication that has survived over a millennium.
The Great Tang Dynasty Tea House in Changxing, a historic site from AD 770
The brewing technique here mirrors the Korean ddok cha, a reminder of the ancient cultural exchanges that flowed through the tea routes. It is a testament to tea as a living artifact, a consumable piece of history that connects the drinker to the emperors and poets of the past.
Statue of the tea sage Lu Yu at The Grand View Tea Garden
Festivals of Water and Wild Frontiers
Villalon’s quest is also one of kinetic energy. In Yunnan, he immersed himself in the Poshui Jie (Water-Splashing Festival), marking the Dai New Year. Amidst the boat races and the chaotic joy of water fights, he found a moment of stillness with Lu Zhi Ming, a master whose knowledge of pu’er is absolute.
Crossing borders, the journey turned rugged in the Phongsaly Province of Laos. Here, tea returns to its primal state. Villalon recounts plucking leaves from trees that towered over him—wild, ancient giants distinct from the manicured bushes of commercial estates. “Laos shares a border with China, and they make pu’er too, but you can’t call it that because the name is origin-protected,” he explains.
The terroir here is raw and unpolished. A 24-hour journey in a pickup truck through “terrible roads” revealed a landscape worthy of National Geographic. It is a place where the tea tastes of the wild earth, and where the luxury of a cold beer on a dusty roadside creates a perfect counterpoint to the hot brew.
Morning mist rolling over a pu’er tea plantation in Yunnan ProvinceSerene Buddha statues standing in Vientiane Laos
The Southern Anomaly
Perhaps the most surreal chapter in Villalon’s atlas is located in the shadow of the Villarrica volcano in Chile. The geography of Chile, slender and long, curiously mimics the form of an unfurled tea leaf, yet it is not a traditional tea land.
The existence of Salus Chile, the southernmost tea plantation in the world, is a narrative of resilience. Born from the aftermath of the Chernobyl disaster in 1986, the land was purchased by a German pharmaceutical company seeking uncontaminated soil for herbs. They experimented with tea, aided by the cool climate and sloping terrain. The result is a garden of lush, organic plants thriving in the Southern Hemisphere—a botanical anomaly that produces a cup as clean and crisp as the Andean air.
The southernmost tea plantation in the world near Villarrica volcano Chile
A Story in Every Cup
From the trendy districts of Shibuya, Tokyo, where he recently opened a pop-up, to the remote firesides of the Hani people, Pedro Villalon remains a conduit for stories. “Our tea has stories,” he asserts. “It’s like buying craft beer from a guy with cool tattoos.”
The comparison is apt. Villalon has stripped tea of its stuffy, Victorian associations and returned it to its roots: elemental, agricultural, and deeply human. Whether sourced from a tree in Laos or a historic garden in ChangXing, each leaf carries the fingerprint of the person who picked it. For the engineer-turned-hunter, the perfect cup is not just about flavor; it is about that initial spark of connection—the moment a stranger with an axe invites you home, and the world suddenly becomes larger, and warmer.
Pedro Villalon standing amidst a tea plantation with a contemplative expression
Lush tea mountains and the Chinese Pavilion in southwest China
An ancient village and tea farm nestled high near Yellow Mountain
The Great Tang Dynasty Tea House in Changxing, a historic site from AD 770
Statue of the tea sage Lu Yu at The Grand View Tea Garden
Morning mist rolling over a pu’er tea plantation in Yunnan Province
Serene Buddha statues standing in Vientiane Laos
The southernmost tea plantation in the world near Villarrica volcano Chile
